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Kamis, 29 April 2010

Posted by minnie-worldx.blogspot.com on April 29, 2010 in | No comments

Download El Salvador, by Adam Kufeld

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El Salvador, by Adam Kufeld

El Salvador, by Adam Kufeld


El Salvador, by Adam Kufeld


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El Salvador, by Adam Kufeld

Product details

Hardcover: 183 pages

Publisher: W W Norton & Co Inc; First Edition edition (November 1, 1990)

Language: English

ISBN-10: 0393028119

ISBN-13: 978-0393028119

Product Dimensions:

1 x 1 x 1 inches

Shipping Weight: 2.5 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#5,006,306 in Books (See Top 100 in Books)

Excellent photography by a real pro.

very heart felt, realistic photos... it would take you back to El Salvador during the civil war...and pull your heartstrings!

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Jumat, 23 April 2010

Posted by minnie-worldx.blogspot.com on April 23, 2010 in | No comments

Ebook Communal Luxury: The Political Imaginary of the Paris Commune, by Kristin Ross

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Communal Luxury: The Political Imaginary of the Paris Commune, by Kristin Ross

Communal Luxury: The Political Imaginary of the Paris Commune, by Kristin Ross


Communal Luxury: The Political Imaginary of the Paris Commune, by Kristin Ross


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Communal Luxury: The Political Imaginary of the Paris Commune, by Kristin Ross

Review

“No work specifies more fully Marx’s claim that, the greatest achievement of the Paris Commune was its ‘actual working existence.’”—Jacobin “In recent years, the Paris Commune has again moved to the center of political thinking. Kristin Ross’s new book now, virtually for the first time, gives us an account of the intellectual antecedents of the Commune as well as its contemporary impact. This is an indispensable text for all current left theory!”—Fredric Jameson “Although this is a book of ideas, it is neither dry nor overburdened by scholarly references. Ross’s vision of the Commune extends beyond the 72 days, and beyond the space of Paris (and indeed of France), to encompass its echoes throughout the rest of the 19th century … For Ross, the story of the Commune is not a tragedy, because it is not finished.”—Financial Times “Communal Luxury is a rich and complex book. It is an inspired rereading of the Paris Commune. It is a critique of historical accounts that ignore the ways in which the practices of insurrectionary movements generate their own theory. It is a call to historians to attend to the alternatives offered at decisive moments of political and economic consolidation. It is, as well, Ross’s own manifesto about how we might think our futures differently. This is a history with enormous relevance for our contemporary political moment.”—Joan W. Scott, Institute For Advanced Study, Princeton“Ross argues that the spirit of the Commune is alive today among … the Indignados in Spain and inside the Occupy movement [and] discusses the ‘political imaginary’ that fuelled and outlived the Commune.’”—Philippe Marlière, London Review of Books “A timely, elegant and rather useful cartography of the Paris Commune … This small book is a sort of parable, about another time and place, but not really about the past as past. It is more about the possibility of other kinds of action in time, as indeed are most parables.”—McKenzie Wark “Rendered with economy and ease and an engaging array of portraiture that can only be noted here… For all its rich interest and value as a work of historical retrieval and remembrance, Communal Luxury is a book with designs on the future … Ross anholds out the immensely appealing prospect of an integrally green communism in a society freed from capital, state and national passions, a general instance, perhaps, of her preferred intellectual orientation, which she presents as an undoctrinaire exchange between Marxism and anarchism.” —Francis Mulhern, New Left Review “One of the most important political books of the year...The ingenuity and collective good sense of the communards will challenge any reader who struggles to reconcile egalitarian politics with concerns over state violence and power.” —Flavorwire “A timely and fecund work that should stimulate anarchist thought and action on the relevance of the Commune to the contemporary politics of occupation, resistance, and prefiguration.”—Anarchist Studies“Ross is the perfect guide for such a journey: few critics are more attuned to how words and images can travel … [she] has an acute eye for this juxtaposition of the pastoral and the political, how the vines of nature can overtake the monuments of empire, how revolutionary events can interrupt the silence of the countryside.” —Corey Robin, Salon “Ross brilliantly remaps the political topoi of the Commune in a narrative that is short but densely interwoven, a pattern of lively and vibrant connections not unlike the floral design by Morris on the book’s cover. What the attentive reader gains is the ability to feel the surge of ideas and movement of people that transformed a situation of insurmountable crisis into a moment for revolutionary change” —caa.reviews “Ross implies that the political horizons of our time share something with the maximalist project produced by the Commune and elaborated by its survivors and exponents, who glimpsed in its fragile and unexpected manifestation the furthest possibilities of social revolution.” —Jasper Bernes, Critical Inquiry “The strength of Communal Luxury lies in the combativeness and perceptiveness with which it wrests the Paris Commune from the conformism that has always threatened to confine it in an almost unimaginable past.” —Matthew Beaumont, Journal of William Morris Studies “Ross evokes the exhilaration of art freed from the museum and being lived as something ‘vital and indispensable to the community.’” —Marx & Philosophy“At its most literal, the ideal of communal luxury could just mean public art but the demand the slogan evokes is more expansive and far-reaching, namely, the demand that beauty flourish in social spaces and therefore the later avant-garde expectation of the full integration of art into everyday life exemplified in Constructivism. Ross evokes the exhilaration of art freed from the museum and being lived as something ‘vital and indispensable to the community.’”—Jeremy Spencer, Marx & Philosophy Society “An essential resource for all those on the Left.” —Mark Hutchinson, Art & the Public Sphere

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About the Author

Kristin Ross is a professor of comparative literature at New York University. She is the author of numerous books, including Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture and May ’68 and its Afterlives.

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Product details

Paperback: 160 pages

Publisher: Verso; Reprint edition (November 22, 2016)

Language: English

ISBN-10: 1784780545

ISBN-13: 978-1784780548

Product Dimensions:

5.2 x 0.5 x 7.8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#632,154 in Books (See Top 100 in Books)

excellent, but DIFFERENT, take on the Paris Commune of 1871

An interesting re-visiting of the Paris Commune (1871) by a mature scholar. The examination of proto-ecological leanings in some figures associated with the Commune is a significant addition to the scholarship of both the Commune and environmental history.

It's a good history book but please that what is said with a grain of salt and get more information about the subject than what is provided in the book

"[Kristin] Ross has written brilliantly of how French radical culture drew the lessons to be learned from the May, ’68 uprising. She’s written brilliantly of the ways French society in the postwar years reinvented itself in the image of American consumerism. Communal Luxury might have been equally brilliant had it been more questioning of the Commune’s own Imaginary, and of the concept of Imaginary itself..."Full review at:http://theorangepress.com/woid/woid21/woidxxi17.html

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Sabtu, 10 April 2010

Posted by minnie-worldx.blogspot.com on April 10, 2010 in | No comments

Ebook Download Truevine: Two Brothers, a Kidnapping, and a Mother's Quest: A True Story of the Jim Crow South, by Beth Macy

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Truevine: Two Brothers, a Kidnapping, and a Mother's Quest: A True Story of the Jim Crow South, by Beth Macy

Truevine: Two Brothers, a Kidnapping, and a Mother's Quest: A True Story of the Jim Crow South, by Beth Macy


Truevine: Two Brothers, a Kidnapping, and a Mother's Quest: A True Story of the Jim Crow South, by Beth Macy


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Truevine: Two Brothers, a Kidnapping, and a Mother's Quest: A True Story of the Jim Crow South, by Beth Macy

Review

A New York Times Notable Book of 2016One of Janet Maslin's Top 10 Books of 2016 in the New York TimesOne of The San Francisco Chronicle's Top Ten Books of 2016One of the Best Books of 2016 - Amazon, Kirkus, The Tampa Bay Times, The Houston Chronicle, BookPage, St. Louis Post-DispatchA Kirkus Prize Finalist Longlisted for the Carnegie Medal for Excellence A New York Times Book Review Editors' ChoiceNamed one of fall's most anticipated titles by Vulture, Entertainment Weekly, Kirkus, The Millions, Literary Hub and others!"'It's the best story in town,' a colleague told Beth Macy decades ago, 'but no one has been able to get it.' She now has, with tenacity and sensitivity. She gives a singular sideshow its due, offering these 'Ambassadors from Mars' a remarkable, deeply affecting afterlife."―Stacy Schiff, author of The Witches"This compelling account of one family's tragic exploitation provides an important lens through which America's tortured racial history and the cruel legacy of Jim Crow can be seen anew."―Bryan Stevenson, author of Just Mercy and founder and director of the Equal Justice Initiative"Taking us into the dark corners of American history that are discussed only in whispers, Beth Macy shines a bright light on the racial profiteering of circus freak shows and the Jim Crow South. In the remarkable Truevine, Macy manages to do what all the exploitative showmen wouldn't dare; she humanizes the Muse brothers, and in doing so, she has written an unforgettable story of both heartbreak and enduring love."―Gilbert King, author of Devil in the Grove"A consummate chronicler of the American South spotlights the extraordinary history of two kidnapped African-American brothers enslaved as a circus sideshow act... Macy vividly illustrates circus life during the 1920s, and she movingly depicts how the brothers' protective, determined mother, Harriett, eventually discovered and rescued them almost a decade and a half later... A sturdy, passionate, and penetrating narrative. This first-rate journey into human trafficking, slavery, and familial bonding is an engrossing example of spirited, determined reportage."―Kirkus (starred)"Macy's exploration of the long-hidden fate of two young African Americans and how that fate illuminates the atrocities of the Jim Crow South is as compelling as Rebecca Skloot's The Immortal Life of Henrietta Lacks...both are absolutely stunning examples of narrative nonfiction at its best...Certain to be among the most memorable books of the year."―Connie Fletcher, Booklist (starred review)"Beth Macy has a way of getting under the skin of American life, burrowing into the seemingly ordinary to find the weird and wonderful taproots of our society. This true tale from rural Virginia will enrage you, inspire you, make you shake your head and rear your fist. And as the pages keep turning, you'll feel yourself slipping into a gothic world of freaks and geeks, and surreal racial thinking, that seems both deeply strange and yet, sadly, all too familiar."―Hampton Sides, author of In the Kingdom of Ice, Blood and Thunder, and Americana"If over a hundred years ago there had been Black Lives Matter, the mother of George and Willie Muse would have joined and marched for the safe return of her sons. Back then, almost a century ago, she could only keep learning and finding folk who agreed she had a right to her family...a right to the love and protection of her sons. Beth Macy in Truevine has given us a stirring story of the persistence of faith...the strength of love...in this tale of a mother's journey to reclaim not only her sons but her right to them."―Nikki Giovanni, poet and one of Oprah Winfrey's "Twenty-five Living Legends""Love and kinship impelled Harriet's family to try for a century to protect George and Willie...from a world that saw them as objects for exploitation. Macy, for her part, works hard to illuminate the brothers' story...Macy is a gifted storyteller and a dogged researcher, and readers will be riveted by her account of Harriet Muse's struggle to find her sons."―Edward E. Baptist, New York Times Book Review"Expert...[Macy's] reportorial methods are inspiringly persistent (and [her] books certainly bear that out)...you can feel Ms. Macy's admiration wafting off the page."―Janet Maslin, New York Times"Extraordinary... 'Truevine' is at once poignant and rigorous, a compassionate dual biography and a forthright examination of codified racism. Macy is a resourceful reporter and a strong but never showy writer... This book, her second after 'Factory Man,' is the work of a journalist whose persistence, empathy and commitment to accuracy can't be doubted.... 'Truevine may focus on events that began a century ago, but its guiding spirit couldn't be more urgent."―Kevin Canfield, The San Francisco Chronicle

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About the Author

Beth Macy writes about outsiders and underdogs, and she is the author of the New York Times bestseller, Factory Man. Her work has appeared in national magazines and newspapers and The Roanoke Times, where her reporting has won more than a dozen national awards, including a Nieman Fellowship for Journalism at Harvard and the Lukas Prize from the Columbia School of Journalism. She lives in Roanoke, VA.

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Product details

Paperback: 448 pages

Publisher: Back Bay Books; Reprint edition (October 17, 2017)

Language: English

ISBN-10: 0316337528

ISBN-13: 978-0316337526

Product Dimensions:

5.5 x 1.2 x 8.2 inches

Shipping Weight: 15.7 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

154 customer reviews

Amazon Best Sellers Rank:

#524,722 in Books (See Top 100 in Books)

I have followed Beth Macy's writing for decades. She was a feature writer for my local newspaper, and I always looked forward to her articles. So I knew she would tell a compelling story in her new book "Truevine" -- the story of two albino African-American brothers exploited by the circus in the early 20th century. But I didn't expect to learn more about myself in the process.In part, I learned how oblivious I have been. I have lived all these years in Roanoke only having a an idea that the truths of racism existed. I can recall the unrest at my elementary and middle schools when they were finally integrated, and I remember wondering why it was such a big deal. I have never considered myself to be racist, and I judge others for being bigoted. I have felt moral outrage by the racism that was so unabashed in George and Willy's day and still does exist, but in truth, I have always thought that the most violent and blatantly racist events happened/happen in "The South". I chose not to know about the lynchings that took place in Roanoke at the turn of the century, and the prominence of the KKK here, led by a member of the very church I now attend. I mean, I kind of knew, I suspected it could have happened here too, but I didn't REALLY know. The very fact that I have been able to live my life NOT acknowledging this terrible history in my hometown is proof of my white privilege -- the white insulation from the truth.I'm thankful for the stories people shared with Beth Macy, especially Janet Johnson and Mabel Pullin's honesty in the chapter "White Peoples Is Hateful". Macy is the kind of deep listener who folks can trust enough to tell her important things. Thanks to those folks and to Macy for this gift of the truth.

From the subtitle of this month's book club selection, I assumed I would be reading an interesting story of two brothers who were kidnapped and subjected to some sort of racism, but wow! "Truevine" gives the reader so much more than that. Beth Macy's meticulously researched book tells the poignant tale of two African-American albino brothers who were separated from their family and forced to perform as freaks in circuses. The book also delves into a topic that makes many white readers uncomfortable. Macy paints a disturbing portrait that reveals that even after the Civil War and slavery ended, African-Americans were subjected to insufferable indignities, persecution, and abuse.My only issue with this fascinating book was that, as soon as I read of the children's kidnapping by a man representing a circus, I wanted to know immediately what happened to the young boys. At one point I became so impatient with Mrs. Macy's slow and methodical revelation of the facts, which expanded into many side stories, including the plight of other deformed people who were exploited as sideshow "freaks" and the details of the Jim Crow laws of 20th Century Virginia, that I resorted to Googling the brothers, so I could learn of their fate. Once I had a better idea of what would happen to them, I then settled into the book's sometimes tedious pace, and was motivated to absorb all the author had to offer about the unscrupulous labor practices of circuses and the unjust treatment of African-Americans in my hometown of Roanoke, Virginia, most of which was eye-opening for me. Of course, I knew that schools were segregated when I attended there in the 1950s and 1960s, but the hidden history of racism was not taught in school nor discussed among "polite company." I knew nothing of lynchings in Roanoke in the 1800s and 1900s, nor that the city's prominent leaders were founders of the KKK. As a child, I was aware that Burrell Hospital was for black people, but I had no idea it was named after a black physician who died because hospitals which served whites only refused to admit him for treatment. Although appalled by what I read, being familiar with the place names and family names from a city where I formerly lived made the book mandatory reading for me. Harriet Muse, mother of the albino brothers, is the heroine of this book. Ahead of her time, she was a maid and laundress who stood up to the white bureaucracy and the circuses that had not paid the brothers for their forced performances.How ironic that I read this book over the weekend of the very last performance of the Ringling Brothers and Barnum and Bailey Circus. Somehow I felt a little less nostalgic. A high compliment I can pay to "Truevine" is that I now want to read Mrs. Macy's other well-known book, "Factory Man."

Living near Roanoke and having read Macy since her reporter days with the Roanoke Times, I am a fan who couldn't wait to get my copy of Truevine once it became available. It is a compelling story with local (to me) history and landmarks. An interesting read!Thoroughly researched, as was Factory Man, Macy comes across as a bit of a crusader for civil rights in her second book. She presented the facts well; I wish she had taken a step back and let the facts speak for themselves once presented, instead of going a step further and becoming an interpreter also.

This book is not so much about George and Willie Muse as it is about the south at the turn on the 20th century as well as circus culture. The central question the book asks: did George and Willie's mother sell them to the circus is never really answered. That is left for the reader to decide. However, in learning about the brothers we learn about the life of the late 19th and early 20th century circus in the United States and abroad. Ms. Macy gives us intriguing peeks into the lives of other circus performers, a life I never knew existed. Consigned to the 'freak' shows, George and Willie were considered in turn exotic yet dull. They were considered freaks of nature, visitors from Mars, and captives from Africa depending on the whim of their handlers. Actually, they were Albinos and talented musicians who were some how estranged from their families. George and Willie 'win' at the end, but they and their families suffered and can never be repaid. A great read.

I was intrigued by a review of this book in our local newspaper and ordered it. I'm halfway through and I'm enjoying it very much. Beth Macy did an incredibly thorough amount of research and I was drawn into the story immediately. I'm finding out that I now want to do some reading about circus and sideshow culture as well. It's a fascinating book about many civil and human rights issues, and well worth reading.

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